You know, when it comes to exaggeration in gesture drawings, I think you're completely on the right track, but I still feel that the exaggeration in the poses and in the gestures still need more real straights against curves. How would you like to just please free up your shoulders and elbows with our Learn To Draw interactive drawing tutorial of figure studies here?
And as for your lines, they could and would be a real celebration of them, as you could and would just go for any cheap but affordable brush pen as Aunt Herbert suggested, then I suggest you just go for it.
The reasons why is because of two things: First, to help you self-teach on your line economies of figures and such. And second, to help you satirize and draw out the humor and feeling of your figure bodies as clearly and sharply, if not cleanly.
And furthermore, if you're really curious about more line economy practice and exercises, may I please recommend you Cartooning by Ivan Brunetti on Amazon right here, as a book?
Good morning, Ash, and welcome aboard. I'm Polyvios Animations and how are you doing today?
Say, you're doing the greatest job on recording the flow and movement and motions of your figure drawings, which is what I think would help you get into college, but I can and will tell that your works screams of enthusiam, power, and passion to make it into drawn animation, generally and specifically. However, I'm still not getting enough of the most insanest gestures and plasticity of the lines, shapes, and forms. Would you like to please kindly go for 5 minutes of 30 second figure studies.
As a result, your flow, fluidity and plasticity of the figures can and will become better billionfold with the most time. Here's some advice for you.
If you're really serious about applying for animation college, if that is your dream goal, just put in what you think is your great work.
And for most info, please look into a YouTube on how certain portfolios are accepted and/or rejected:
Let's hope you can and will find these completely and totally nicest, helpful, informative, and encouraging.
Nice job on your Powerpoint drawings of hands and figures. But my beef with them is that the gestures and forces all are too bare. Would you like to please invest in yourself in a Huion Kamvas drawing tablet to draw digitally, or better yet, try drawing analogically with drawing with pens and pencils in notebooks, all thru our interactive drawing tutorials on our site?
The logical arguement behind this thing is because your poses and gestures can and will become less mathematical and more intuitive and human in terms of the blind contours and gesture drawings. For more info, please look into a copy of the Nicolaides book, The Natural Way to Draw, on Amazon.
Nicest job on your range of flow and silhouettes and relationships on your figure sketches. Your poses and anatomy is completely and definitely on the strongest of the right tracks. I really like how much fluidiy and angles are being applied to your photo and your figure drawings. Especially when it comes to the heads, ribcages, and pelvises.(Most remarkable sense of simplicity and clarity of them) Yet, I'm getting not enough of your courage and fearlessness, artistically in your gesture sketches. Why don't you please free up your shoulders and hands with our interactive drawing tutorial, if you totally haven't already?
The reason is because, by working from your shoulders and underhand positions, you could and would go for most of the broadest of the most gestural lines, while your wrists will be for the details. If you work only from your wrists, then you can and will get too much hairiest lines. For most details, please look into a copy of Figure Drawing For All It's Worth, by Andrew Loomis, on Amazon.com, for some figure warmups to completely loosen yourself up entirely.
You know, I think you're doing the greatest job on your figure poses. I love the sense of motion. I love your natural senses of gestures and spaces, and I love your awareness of your relationships. But, in 0:28, I'm not getting enough of the calligraphic swelling of the silhouette at the lower right hand corner of the page.📃 Would you like to go ahead with our interactive drawing tutorial on our website, please, with your dominant and non-dominant hands?
As a result, your poses can and will become the most dynamic, energetic, fluidest, and the least stiffest and the least rigidest in your silhouettes and negative spaces. For more practice tips and tricks, please look into the Adorkastock sketch app, and more books and sites.
It's OK, Idon'tknow. Don't get discouraged if you don't see instant improvements. All you need to do is just be patient and practice everything every day. Is that too much to ask??
Good morning, tiramisumanP. How are you doing this morning?
Say, I really think you're doing a completely splendid job on your gestures and forces in your shapes and lines and spaces and forms of your figures. Please do keep up the great work, and I need to be more and more concerned about the loosening up on the heads, ribcages, and the pelvises on the gutsy gesture poses, for they are too rigid to me yet.
The reason is because, though it can and will help you relax in your learning curves in your figures and anything and everything.
Practice doesn't make perfect. Practice makes myelin, and myelin makes perfect.
Daniel Coyle
For more practicing tips and tricks, please look into The Little Book of Talent by the author above.
You know, Idon'tknow, fine, if you don't want us to tell you to by more books. But, judging from your latest branch of progress, I think you may be getting a lot better in terms of drawing the most force in terms of your figures, basically. You see, as Warner Bros. Cartoon Director Chuck Jones put it:
We all have 10,000 bad drawings in us. The sooner we get them out, the best.
Basically, by going for the most repetition, you can, you shall, and you will improve most sharply with time. So, if you don't believe us, please look into the PewdiePie drawing progress videos and see them for yourself. So, kindly keep up the strongest progress.
Say, I'm thinking about interactive drawing tutorials on drawing tools other than figure studies, such as animals, and more. So, what do you think? Can we go with those, please?? Thank you.😊
Greater and more graceful job on your ballet and ballerina poses and attitudes. Please push yourself as far as you can go, and then go farther as you can. Consequently, I'm not getting enough of that stronger caricature and exaggeration in your lines' gestures,straights, and curves yet. Would you like to please just go with 6 minutes of 30 second poses? (all done from your non-dominant hand??) {12 drawings}
The reason behind this argument is because, your lines of action will become lesser than boring, and more dynamic, gutsier, and sparkling with life. For more details, please look into Vol. 1 of the Walt Stanchfield on PDF rrrrrright here?
Hello, and welcome to Line of Action, Clara. I'm Polyvios Animations, and how are you?
Nice job on display of gesture sketches, for the strong use of lines of action in your really short figure studies. However, I'm not getting enough of that flow and life and energy in those poses. Why don't you please work more from your shoulders with 5 minutes of 30 second poses, all just to completely loosen you up?
As a result, your figures' lines and shapes will become less stiff and more loose and more expressive. For further info, please look into the Shamus Culhane Gesture Drawing Book here?
Polyvios Animations
edited this post on February 27, 2024 2:12pm.
Reason: Grammar
