![](https://lineofaction.s3.us-west-2.amazonaws.com/32962/conversions/art-56744-1642366736-extralarge.jpg?X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIAIZE2523KZPI73CMQ%2F20240707%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240707T015930Z&X-Amz-SignedHeaders=host&X-Amz-Expires=1800&X-Amz-Signature=8d8cfc3af2ad2b6d2d3854f277d054cd9982e744c32876c600d1c71335923e8e)
Playing with toned paper and chiaroscuro for light and shadow relationships
© 2022 EdeglauDone as part of a practice session with poses of 10 minutes in length.
My current goal is: Reduce stiffness and make my drawings feel more dynamic, energetic, fluid
Hello, and good evening.
I love your use of toned paper, and the chiaroscuro (lights and shadows). Great job, and way to go, but keep going. Get looser quicker.
I have to say I've learned a lot more about what I should be approaching in my sketches now that I've just tried this relatively short exercise. I wish I did it sooner. There were some puzzle pieces missing in my drawing eye that this just honed in on pretty clearly