Good evening, Shyandkawaii, and welcome aboard, and I'm Polyvios, and how are you doing tonight? So, I've looked at, duped, rotated, flipped, grayscaled, and saturated your drawings up for me, and it seems that all of your quick sketches are all fluid, organic, solid and far more appealing to me in their own ways. Very good job, and please keep going on your first and latest attempts.
If I'm pressed to pick one detail, I'd say that your quick poses don't look or seem flowing and pliable enough to me, especially in those quicker sketches for 30s-1 minute. How would you kindly like to work your pencils in an underhanded position with 30 minutes of 2 minute quick poses, while beginnning with the lightest and loosest lines as possible? As a result, your poses and forms and shapes will become the least mechanical and the most dynamic, spontaneous and alive in your acting drawings that tell the story, visually. If your aspirations to get in comics and art in general, then I'd like to recommend, or suggest, Understanding Comics by Scott McCloud and the PDF of Fun with a Pencil by Andrew L. Reasons: Drawing and storytelling fundamentals, and the Andrew Loomis book, the basic drawing fundamentals or ideas. Now keep in mind that some of the images, though they are all uniquely appealing, they seem to be from a different era. So please take this suggestion with the really smallest grain of salt, by clicking here!
Good luck to you and your developing learning curve
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