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Hello, Stvalentine14.

I have seen your YouTube video, and I must say, you're getting to be on the right track and off to a greatest start. I love the flow, fluidity, construction, silhouette, 👤 and of course, line confidence and line quality. However, I'm getting too much of your stiffness in the drawings where I'm getting enough of your balooniest limbs from top to bottom in your poses entirely. Why don't you like to kindly go for just our interactive drawing tutorial on our site, with the cheapest notebook with the cheapest pens and eraserless ✏️?

As a result, your line confidence and quality can and will improve millionfold, and the rest can and will follow. For most tips and tricks, please look into Action! Cartooning by Ben Caldwell on Amazon.com.

My hat's off to you!

Hello, Kim Zanni.

You know, I think you're doing the greatest job on making the prettiest face in the most interesting facial expression and angle. However, I'm still not getting enough of the most forceful expressive and emotional lines of action and rhythm in terms of the head and facial anatomy yet. How would you like to please go for our interactive drawing tutorial here on our site?

The arguement behind this is to do this, gesture drawing is done to not only to draw as quickest as possible, but to capture or record the flexibility and elasticity of the facial expressions and others that you can draw.✍️ It's not to merely make a perfect drawing, but to just be able to record the motion and fluidity of your facial drawings and more. For most details, look into the Vilppu Drawing Manual here and the Walt Stanchfield books as free PDFs all here.

Let's hope they've all helped you out.

Hello.

Nicer job on your recording of the really more basic lines and shapes of your ribcages. Greater job, but I'm not getting enough of how well you apply them into your figure drawing. How would you like to please do a 30 minute drawing class of figure studies, all with an emphasis of combining the ribcages with the poses, and all drawn with an underhanded position, and all drawn from your non-dominant hand?🤚

The logical juxtaposition behind this thing is because it can and will help you loosen up your control and understanding of the bones by the neck. To do that, you can begin with the simpler gesture sketches and the lines of action, then you can go for the simpler, more geometric shapes and forms and spaces. Finally, you can and will try out going for measuring your relationships; or proportions and angles. For more than enough tips and details, kindly go for a Joseph Sheppard Human Anatomy Book on Amazon.

My hat's off to you, and thank you.

Say, Aunt Herbert, greatest story on your traffic experience. Makes me want to even visualize it in drawing form. Please show me and us some of your ruffest sketches of the lights. Thanks.

Hello again, Heirloom.

You know, greatest works on your brushpen sketches on your figure poses in terms of fluidity, flow, flexibility and movement in them. However, it's OK that your brushpen ink lines aren't always accepting of your paper type, because you're not here to make a slick, very pretty, and very perfect drawing all the time, every time. May I recommend you sketch more poses in notebook and memo papers? So that you can and get the most grind mileage in your lines of action and lightest lines of rhythm? For more and most all the tips and tricks, here is this oldest video from Alphonso Dunn: https://youtu.be/NvjB0rj6yAc?feature=shared



Happy Drawing, and 😊!

It's OK that you can't get the anatomy right instantly, Idon'tknow. All you gotta do is just be patient, practice everything ever day that you can, then your natural talent will and can follow. At least I and we know you've tried. Thank you.🙏

You know, Idon'tknow, I think you're being too harder on yourself.

From what I'm seeing in your figural tracings, I feel that you're really and completely boiling down the more complicated musculatures and translating them visually into simpler, and more geometrical shapes and forms. And that's OK to start off drawing them that way. Because your eyes and brain are slowly, ever so slowly getting used to something more complex as the human anatomy of muscles. But still, these simpler, more mathematically drawn forms are still not getting enough of that organic flexibility, elasticity, and of course, the plasticity in your lines, shapes, spaces, and of course, the masses and forms, and I'm not getting enough of that looser confidence in your skeletal systems yet. How would you like to kindly go ahead with 5 minutes of 30 second figures, 5 mins of 30 secs skeletals, and 5 m of 30s musculars, as well? (10 drawings each)

The reasons:

1) To be the most totally self assured in your line and edge confidence, even in your muscles.

2) To help yourself become more than selective in your bones and muscles

3) To see your bones, muscles, nerves, and organs to be completely and more totally holistic.

And if you're still curious and begging for more, please be sure to look into the Sarah Simblet book on Anatomy, the Joseph S. book on Artistic Human Anatomy, AND the Glenn Vilppu anatomy on how to get more quantity out of quality gesture drawing. Let's hope they've been completely and positively and absolutely inspirational and inspiring.

Hello, Heirloomtomato. How are you?

Great job on verbally illustrating your universal skill affliction. In order to "attack" that skill atrophy, can I see your drawings, please?

Thanks.

You know, as a follow up to what Kim just suggested, Gustave. The thing about charcoal and graphite is so that you can practice your drawing media and how much mileage you can get out of them. Please do keep on practicing drawing with graphite, charcoal, and more.

Hello again,



Nicest job on your range of gesture, motion, and form on your figures. I love 'em. But going back to your figure and animal gesture drawing comment, but it can also be used for hands, feet, faces, expressions, cartoons, and more. The possibilities are yet to be explored. But, fast-foward to your form comment, I'm still getting too much mushiness in your basic construction. Would you like to go ahead with going for more weight and solidty in your construction with our 1 hour class mode of figures?

The reason why is because you can and will be able to improve and innovate your figure and face construction, in order to better at drawing from memory and imagination, by starting off with the gesture warmups.

My hat's off to you.

Well, Strawberry, most strongest and greatest job on your face and expression construction drawing, using just the Reilly method. I love the sense of edges, spaces, and forms of that one. Yet, it looks too timidest in the organic drawing to me yet. How would you care to go for 17 minutes of 1 minute attitudes of expressions?



As a result, your facial expression constructions from any angle will become the least stilted but the most bravest and therefore energetic in your delivery. And if you're still looking into all of the drawing practices on facial expressions, look into some drawing expressions from Action! Cartooning by Ben Caldwell, though Ben is still working on Manga Cartooning, but these fundamentals are worth it.

Let's hope you've found these absolutely beneficial.

You know, Idon'tknow, I think your making greatest progress, but I feel that the vitality is not being boiled down enough yet. Would you please be mostly on board with 7 minutes of 28-second figures, followed by 8-minutes of 27 second poses?(all done underhandedly, while standing up the whole time)

The reason why is because, you'll be the most economical with your lines of action and rhythm. For most practical advice, please see some of the most free videos on Proko's channel.

Good luck from us.

Well, Idon'tknow, bravo on your figure tracing drawings. I love how much freedom but then the control you've applied to your basic shapes and forms, however, these tracings are still too stiffest to me yet. Would you care to make your goal be "improve my tracings to help me push the guts of the photos"?

As a result, kindly don't get discouraged if you're not getting excellent results instantly, for the vitality will be bettered with lots of time. For most details on drawing figures, look into Loomis' Fun With A Pencil, and many, many more.

My hat's off to you.

You know, Idon'tknow, the thing about doing a 5-minute drawing is that you don't need to get it finished and perfect right away. It can and will help you just drill and drill yourself. Yet, I'm not getting enough of that holisticness in your figures yet. Would you like to work more from your shoulders with 6 minutes of 2-minute poses, followed by 7 mins of 60-second poses?

The reason is because, your attitudes will become much more exaggerated, expressive, and emotional. For more details, please look into the free PDF of The Vilppu Drawing Manual.

Thanks, and good night.

Tell you what, Idon'tknow, what if your first goal would and could be to understand the basics of rendering, please? It's simple, please.



Thank you.