Idon'tknow的论坛贴

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  • #31444

    Hi, since i am having bad luck with poses i tried doing faces for the first time. https://imgur.com/a/hU6l7vh

    #31420

    Hi, after the 2 hour drawing session is like my brain is sucked dry to try aagain and no joke, is like i don't remember how to draw well. My lines are random, i forget proportions and when i try to redo all over again i feel too tired.

    #31419

    https://imgur.com/a/ZU3t3PG

    Hi I did my first 2 hour class session and... look i was really tired that day so it might feel obvious why it doesn't look as good

    #31418

    Hey, see? You nailed it better at your first attempt. It doesn't even need to be completed 100% if you get the most important lines first.

    Nex tip, try drawing the head as a D. that way it also adds to the lines of the body

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    #31417

    About the shading part i think you meant by this. About the sketchy lineart, i don't know, man. I started using messier lines but it came out as an imprecise mess. https://imgur.com/YqwyRpF

    Maybe if i have an example i would understand this a lot better.

    Anyways, thanks

    #31405

    I tried it again and this is the result.

    thanks for the feedbacks.

    #31404

    I tried to learn as much as possible from that video and i got that my technique is only a part of the bigger picture. Anyways I do not understand what he is saying, like in the section of intuitive proportions, his "wrong example" does not seem to be negative compared to the good one, because most importanly it is even better than how i usually draw, so I imagine how much of a bad example i would be to him. Anyways i tried again and this is the result. I took 5 minutes because it is impossible for me even to think the right lines (4 seconds for each one is literally light speed mental reflex).

    #31399

    this is my new 1 hour lesson, each image cooresponds at different times signed by the timer. the very last one left me with a lot of problems. I could not understand what parts should be simplified and it ended up being like that. There is something about those legs that makes it more wooden than it is supposed to.

    #31394

    I know what you are talking about. The worst part is that they lead you to believe that if you cannot understand the pose in less than 10 seconds then you are incapable to be an artist. I even think that not everybody can understand a subject instantly, and that's ok. It took me time to understand that 10 second poses don't teach me a thing, no matter how I try, it felt like I was wasting time.

    #31392

    Hi, i tried collecting as much as feedback i could and i changed my way to draw. If i am not wrong basically all figure studies are basically logo symplifications of the pose from reference, and the more time you have, the more smaller curves you can add to it.

    So, this is the result

    #31386

    Hi K1ng0fSugar and welcome. Yes, recieving some feedback will make the process of studying here more enjoyable, because you are going to see a lot of artists that also ask for their feedback by other better artists and so on... and so on....

    My first tip, don't use solid shapes before nailing the line of action (got it? like the site...). Although it is important understanding the shapes of a figure, that needs to be learned on a later date. First the simplification must come on its most simple component of any drawing, the line.

    The process to draw a pose from a reference is to simplify and exagerate

    Since you didn't start doing it after a very long time from what you have told, i suggest you to take at least 10 minutes for each pose after you've dealt with some doodles that make your brain get into the mood easyier. You have to decompose each pose as some sort of curved lines that build in armony the pose of the reference. Practically they should look like a logo when it gets all the little circles defining the curves and the style of the drawing and so on (here is an example).

    I might present more examples if you want, but the final result should come out sorta like this. In these kind of poses you should look into the most important line, the one that leads the head to one of the feet, then you draw a line on the level of the shoulders and one on the level of the pubis (where the legs are attached), then you draw each new line to represent the general shape of the pose. Here, a big curve occupies the section of the arm, the upper torso and part of the other arm with only the head sticking out.

    If you want to add more to the learning you can also add the shapes on top of the body, making it sorta like this. Doing so you can correct many of the mistakes you can come up with when you had to draw using curves. Here is a video that i can recomend on how it is done

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    If you have problems following any of this stuff, just tell me and i will be here ;). bye and good improvement.

#31376

I might be late, but I sense that you should really take more time to study each pose just like making a logo.

Look at Gennedy Tartakovsky's Samurai Jack. Practically the main protagonist has his entire body as one unified shape or 2 shapes at max.here is the poster

If you have problems seeing the shapes right away, that's normal. A good tip is to squint your eyes enough to blend all the details together. If that's not enough you have to describe the shape in a way your brain just makes the least amount of resistence recognizing it.

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#31375

I think they want me to know they acknowledged my message and that they straight up don’t care. I would have preferred a straightforward "I don’t think I can help you" as a more respectful response, or they could have just left my message unread.

if they are being timid like Herbert said, they have a weird way of showing it.

#31370

Hi, seeing the current posts on the "Critique" tab I happen to stumble upon some really good artists that did very good exercises.

I asked two of them for some advice on how to achieve their level, yet i got only a reaction of "nice" or "helpful" from each of them an not a single response.

Is never asking for advise to other users some unspoken rule on this site or are users learning usually too timid to teach others?

#31361

Your figure drawing is exactly what the site intended, so if you want to add more, shading and anatomy studies are an other beast entirely.

This being said, my exercises fail to achieve that objective: my lines are messy and loose; i don't get the simplification of the shapes of the reference... I basically suck at making progress. So, i want to ask you some tips on how to achieve that quality in your studies.

i know in this case you are supposed to get more of a feedback, but in your case you are doing a phenomenal job that to me seems quite evident you already understand the subject well.

Thanks for the time you spent reading this and I wait for your answer.

Bye

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