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Yeah, I think that's a greater idea!

Good evening, Jolty, and once again, a farther than greater job on your quick warm-ups of the animals and other drawings. I especially love all of your improvements you've made to all of your animals, but they were all too many to take my pick from.

However, in some of these animals, including some of these equines and more, some of them seem a bit farther than too itchiest, hairiest, and scratchiest in most of them, and more critters. How would you like to please loosen your critters but liven them all up the most of them with 8 more minutes of 28 second scribbles of animal warm-ups? And that's not all, please keep on reading most of the others form the Forces Animals book.

As a result, if you can do this suggestion/request, then your species of all the animals seen under the sun, will and can all be the least ridigest and stilted, but the most dynamic, spontaneous, and liveliest. Practice makes progress, as they can all say. Good luck to you and your marches of improvement.

Thanks for the invite, Vilma!

Polyvios Animations.

P.S. I still have plenty of Discord groups wrapped up under my belt.😌😌😌

Hello, Learning Artist, and welcome to Line of Action, I'm Polyvios Animations, and how are you?

Say, Learning, you must be definitely on the right track on understanding the basic head construction of your head portraits. Great job, I say, so please keep up, but the head forces all look and seem a bit too somewhat rigid to me. How would you like to lighten up your lines therefore be even far more decisive in your graphic lines with 28 minutes of 2 minute head warmups?

Because, if you warm up your lighter lines and lightest shapes, then your understanding and control will be developed into being the least stiffest and the most dynamic, energetic, and furthermore, liveliest in communicating your expressiveness. For most info, look into a copy of Andrew Loomis' Drawing The Head and Hands. Good luck, and may you find these encouraging and helpful and informational.

Good evening, Jolty Beans, and welcome aboard, I'm Polyvios Animations, and how are you tonight? Say, most spectacular in your range of constant improvement and exploriation in your liveliest lines of action, balance, and rhythm in most all of your animals, very greatest range of confidence in your lines in terms of their inherent looseness. But still, these lines all don't seem too confident enough to me yet, for they seem far too hairier in their executions. How would you care to hold your Apple Pencil by the very end with 6 minutes of 29 second quick sketches?

The understanding for this constructive bit of critiquing is because you can, shall, and will be getting into drawing more to how you see and the subject moves, and not to how you know. See?

But that's not all, if you just consolidate your time limits incrementally by one second, then you can and shall get more into the zone of your line controls.

For most information, please look into the PDF of the Vilppu Drawing Manual. Good luck, and let's hope they've helped, informed and encouraged you the best.

Well, Sorasol,good morning,but these are all more flipping great. I think you must really know what you're doing in terms of the compositions of the body gestures and constructions, along with the gestures of the hands and feet. Please do keep up the great but powerful works.

I can see lots and lots of improvement in your lines of action and how looser they can all be, yet I can totally feel that they all seem not too lighter and livelier and looser enough to me yet. How would you please care for holding your pencils by the very ends with your very first online interactive drawing tutorial?

As you can see the ground behind the explanation, if you do this interactive drawing tutorial, then you can and shall, and will be able to get more in tap with the loosest, boldest, and most free-est and powerful with your lines of action and rhythm in your figures, animals, and, well, anything. And, it still is very useful to your studies.

Hope they've been totally and absolutely beneficlal, and happy sketching weekend.

Hello, Timshel, welcome to Line of Action, I'm Polyvios, and how are you doing today? Say, nice job on how well but expressively you've drawn, moved, and articulated your figure, face, hands, and feet. Please keep up the great work. Therefore, the gestures of your mark-making of your facial expression, hands, and feet all seem a bit too stilted to me, how would you please like to loosen up your figures, faces, expressions, hands, and feet thru our interactive drawing tutorial?

The reason being this a constructive comment is because it can and will be able to help you draw what you see, instead of what you think you see or what you know. But that's not all, it can and shall help you develop and refine your senses of cartooning and caricature by boiling things down to their raw possible essence. And if want for details, please look into this video below.

Thank you, and let's hope they've been encouraging to you.

Greater job on your range of action and acting of your loosest gesture drawings, Tropical Bird, therefore, your poses aren't too looser enough yet. Would you care to go for 6 minutes of 29 second loosest poses, in blind contour exercise? (360s/29s≈12 scribbles in blind contours) The reason why you could and shoud go ahead with this latest drawing exercise is because, as I think Betty Edwards puts it, by drawing without looking at your paper, you can and will be able to draw what movements you actually see, instead of what movements you vaguely know. For most details about gesture drawing and contour drawing, pick up a copy of the Nicolaides book, The Natural Way to Draw, despite its absence on the recommended books list here on this website, though you can look for it in other websites' recommended titles lists. Hope these have helped.

Hello, Touyaisms, and welcome to Line of Action, I'm Polyvios Animations. How are you doing this evening? Nice job on your range of loose gestures and more sculptural forms and details in the later drawings, but the gestures could use just a bit more work on being even more loose. How would you like to try out our only interactive drawing tutorial here on our site, while quickly sketching out the figures with your left non-dominant hand?

As a result, by working out your drawing exercises with your non-dominant hand, then you could and should be able to see your mark-making with newest eyes and hands. Let's hope they've helped you out so much, as you can polish and develop newer skills and older ones.

Hello, Anschi24, and welcome aboard. Say, a really far great job on your first ever attempt of the fundamentals of gestures in your first ever gesture drawing interactive drawing tutorial. But still, these quick sketches and long studies all don't seem too fluid, flowing, and energized yet. How would you like to retake the online interactive drawing tutorial here?

The reason why you could and should redo this online drawing tutorial is because, not only it can and will give you your tutorial achievement, you can, shall, and will be able to make your understanding of basic gestural rendering less rigid and more dynamic, vital, and furthermore, electrifying to do and look at.

Extra Tip:

If you are stuck for model practice, I would like to recommend you do some gesture sketches of really simple and really cartoony drawings in any style, so that you can better understand sketching out the forces, shapes, and forms. For even more tips and hints, I suggest you please look at this video.

Please take these things and more with a tiny, small, little grain of salt. Good luck and hat's off to you.

Hello, Stephgot, and welcome to Line of Action, I'm Polyvios, but I'm doing finest and how are you doing tonight? If you're looking for some help, then I recommend you kindly try out our interactive drawing tutorial, right here on this website. As a result, by drawing along with that tutorial, then you'll be the most aquainted with the ideas and fundamentals of gesture drawings from life and any and every reference.

Hope this has helped you out the best.

Polyvios Animations.

P.S. There are lots of gesture drawing apps available now on your iOSs.

Bonjour, Stephgot, et bienvenue sur Line of Action, je suis Polyvios, mais je vais très bien et comment vas-tu ce soir ? Si vous cherchez de l'aide, je vous recommande de bien vouloir essayer notre didacticiel de dessin interactif, ici même sur ce site Web. Par conséquent, en dessinant avec ce didacticiel, vous serez le plus au courant des idées et des principes fondamentaux des dessins gestuels de la vie et de toutes les références.

J'espère que cela vous a aidé au mieux.

Animations Polyvios.

PS De nombreuses applications de dessin gestuel sont désormais disponibles sur vos iOS.

Good afternoonn, Zzzzzzzeus, and welcome aboard, I'm Polyvios, but I'm fine, and how are you? Nicest job on your flow of forces, forms and shapes of all of your lines of action in your bodies and constructions, however, they all seem far too rigidest and farthest too stilted to me and my style. How would you like to please go for 6 minutes of 1 minute scribblest attitudes? Because if you go on board for that approach to your quick sketching, then your storytelling in graphics will become the least timidest and the most dynamic, peppy, and energetic. You would and should be able to be the most direct in getting to the points to your narratives. For most details, please look at these two videos down below.

But if you're absolutely stuck in the aforementioned video above, here's an added bonus video:

Kindly take these here videos with the even littlest grain of salt, and let's hope they've all helped, supported, aided, and encouraged you and your progress.

Good evening, Tworpish, and welcome to Line of Action, and how are you doing tonight?

Nicest job on your well articulated bones and muscles of your hand gestures and poses, but I'm not getting enough of the most boldest and most powerful gestures and movements. How would you please free up your range of fluidity and flow of your gestures and poses with 5 minutes of 1 minute hands and feet?

The reason why is as a result of your goal to make your hands and feet less rigidest, and the most spontaneous, fluid, and flowing, then I encourage and validate you to do that. If you're completely and totally curious of gesture drawing of hands and feet, then I suggest you look into the Andrew Loomis books, Figure Drawing for All It's Worth, and Drawing the Head and Hands.

Good luck, and my hat's off to you.

Good morning, Zsomi, and welcome to Line of Action, I'm Polyvios, and how are you?

Nicer job on your range of animal and figure motions, edges, and spaces. Very greater, but keep up the great work. Still, they all don't seem a bit too looser and too livelier yet. How would you like to loosen up and lighten up your lines of action with 5 minutes of 1 minute poses and animals? All drawn from memory, to help you develop and refine your muscle memory (myelin)??

The logic behind this criticism is because (no offence on that criticism work) your lines of action and rhythm will become lesser than stilted and the most convicted and clearer in your lines of rhythm and tempo in all of your gestures of any and every person or beast. If that helps, then how would you please pick a photo of any figure or critter, and draw it 5 times in a row, with 5 different time limits? The arguement is as a result, your memory drawings will become the more spontaneous and livelier, even if you have to do lots of blind contours of anything and everything.

Let's hope they've helped, and have a nicer day.

Good afternoon, Anoob, welcome aboard. I'm Polyvios Animations, and how are you doing today? You know, I think that by looking and rotating your figure sketches you've put out, you are certainly in the right direction, therefore I feel that you have the potential to learn from the best here when it comes to figure studies, but I think that the lines could use a bit more pushing, therefore, they need to be a little bit much dark and tight. How would you like to go over your light drawings in black graphite pencil, using your whole shoulder, while warming yourself up with 10 minutes of 2 minute pose sketches, please.

The logic behind this constructive critique is because if you loosen up your dominant shoulder and non-dominant shoulder, then you'd see your edges more differently than you're used to. Furthermore if your first goal is to be more specific but concrete with your looser drawings, please bring it on. Let's hope this helps and benefits.