Forum posts by Polyvios Animations

You know, Idon'tknow, I think your making greatest progress, but I feel that the vitality is not being boiled down enough yet. Would you please be mostly on board with 7 minutes of 28-second figures, followed by 8-minutes of 27 second poses?(all done underhandedly, while standing up the whole time)

The reason why is because, you'll be the most economical with your lines of action and rhythm. For most practical advice, please see some of the most free videos on Proko's channel.

Good luck from us.

Well, Idon'tknow, bravo on your figure tracing drawings. I love how much freedom but then the control you've applied to your basic shapes and forms, however, these tracings are still too stiffest to me yet. Would you care to make your goal be "improve my tracings to help me push the guts of the photos"?

As a result, kindly don't get discouraged if you're not getting excellent results instantly, for the vitality will be bettered with lots of time. For most details on drawing figures, look into Loomis' Fun With A Pencil, and many, many more.

My hat's off to you.

You know, Idon'tknow, the thing about doing a 5-minute drawing is that you don't need to get it finished and perfect right away. It can and will help you just drill and drill yourself. Yet, I'm not getting enough of that holisticness in your figures yet. Would you like to work more from your shoulders with 6 minutes of 2-minute poses, followed by 7 mins of 60-second poses?

The reason is because, your attitudes will become much more exaggerated, expressive, and emotional. For more details, please look into the free PDF of The Vilppu Drawing Manual.

Thanks, and good night.

Tell you what, Idon'tknow, what if your first goal would and could be to understand the basics of rendering, please? It's simple, please.

Thank you.

I'm completely on board.

Say, I've got a great idea. What if you pick a concrete goal for yourself, so that you wouldn't always be going on that wilder goose chase for improvement.See?

Thanks, but what are you trying to say clearly?

Good day, Idon'tknow. You know, I think you're doing the greatest of jobs on your most grace and flow and dynamics in your figures. Please keep up the greatest jobs, but I'm not getting enough exaggerations of your c's and s's. How would you care to go for 16 minutes of 30 second poses, using your shoulders, dominant and non-dominant?(32 scribbles)

The reason why you could and would go ahead with this constructive critique is because your lines of action and balance and rhythm can and will become the most forceful in delivery and execution. For most influences, please look into Drawn to Life by Walt Stanchfield, in 2 Volumes.

Good luck from me to you.

Idon'tknow, I just wanna say, greatest work on your edges and shapes on your "shapes and forms". I love the spontaneity in your lines and spaces, but I'm not getting enough of your freedom of motion and movement. How would you like to please get the liveliest quality in your basic forms and still lifes with 6 mins of 29 second poses of still life?

The reason why is because, your basic shapes and forms wiil get to be the most loosened up for you, to get the most loosest but therefore expressive quality to them.

My hat's off to you.

Hello, Eyenaku. I love the elegance and power in your female poses in terms of flow and lines of action in the poses. But, I'm not too satisfied with the hairest lines yet. Why don't you please be the most boldest but carefullest in your edges with our interactive drawing tutorial here on our website?

The reason is because, you'll get to be the most in synch with your drawing on the right side of the brain, and therefore making your figures the least stilted but the most gutsiest, vital and energetic. For most details, please look into the Andrew Loomis book for drawing references, Fun With A Pencil.

Good luck from all of us.

You've done the greatest and powerful job on capturing the most totally appealing poses. Love the weight, solidity, and energy in them. But I'm still not too pleased with the most excessive scribbliest stiffness in the poses, which is perfectly OK, since you're just practicing. How would you like to please go ahead with 16 minutes of 30 second poses to completely loosen yourself up? (32 pose sketches)

The reason why you could and would loosen yourself up is because your lines will become the least stiffest and the most actiony, vitalest, and energetic. If you're still curious about gesture drawing, please look into the most gesture drawing from Pinterest, YouTube tutorials, the Shamus Culhane animation book for that particular exercise.

My hat's off to you.

Hello, Cafeaulait, and how are you doing tonight? Honestly, I don't know how to answer that question, because I may not be the right person to answer your question, because I'm still figuring out the hardest way on how to draw my stuff from imagination. Please look into some studies by the great and late Kim Jung Gi for his brush and ink sketches of the fisheyed compositions.

Good luck from me to you.

Good evening, Root. You know, greater job on your gesutres and spaces, and forms, and anatomy of bones and muscles, and relationships of the human figures. But, to answer to your issues or problems of the human figure that you've done for longer. So would you like to kindly retain your gesture by pushing them in the final stages, so that you would and could go for 48 minutes of 2 minute poses? (24 sketches)

The reason why is consequently by going for the 2 minutes combined with drawing only from your shoulders, so that you can and will go for more boldness and power. For more details, please look into a copy of Drawn to Life Vols. 1 & 2 on Archive.org or Amazon.com.

Let's hope you'll find these totally useful.

Well, Blehh, I really think you're showing some greater sense of promise, but I feel that your gestures are completely and totally getting somewhere in your figure drawings. Hence they are way too stiffer in terms of the more basic ⭕️. How would you like to please kindly loosen yourself up even more with 10 minutes of 30 second warmups?

Hence by warming yourself up completely with those 30 second attitudes, you can, shall, and will achieve absolute exaggerations in your storytelling drawings. So, if you're still curious about more gesture sketching, then I'd recommend you look into the Shamus Culhane book in PDF form here. And the truer takeaway from this tip is to not even try to think about making slicker sketches in shorter times, but to record your minimum of edges in your attitudes and other related things as possible.

Good luck from me.

Hey, Kim, how are you doing today? First of all, I'd like to say, I'm sorry for today. And second of all, for the idea coming up, how's about adding the 1-4 second drawing time limits to our custom timer tool to all of our drawing tools. I think it's a great idea, if you are exclusively into the lines of action of anything and everything. So what do you think? Do you agree or disagree with my idea?? Good night.