Polyvios Animations的论坛贴

Bonjour and hello, Keizia, and welcome aboard, I'm Polyvios, and how are you tonight? Say you're doing a mighty great therefore swell job on your basic shapes and forms, your animals, cats, felines, and figures, as gestures and basic lines go. Please do keep on pushing and pulling them more.

However, your attitude needs more work, if you could just please take a 30 minute nap, but why don't you please work with our interactive drawing tutorial, though it's only figure studies?

The reason is because of two facts,

1) Healthy body, healthy mind.

2) To be more broad in terms of your lines of action, even in your still lifes, basic shapes, and more.

For more info, please look into some Marc Brunet videos on YouTube, like this one.

My hat's off to you, friend, and good night, but have more fun.

Hi, Htlaps,

I think your face and expression drawings are completely but totally expressive but solid, in terms of them being done for 60 seconds each, but I feel that these faces and expressions all seem too rigid to me yet. How would you like to please go for 16 minutes of 30 second faces and expressions sketches, all just to completely and totally loosen up your forces and forms of those faces?

The reason why is because, your accuracy and speed will constantly improve with much more constant practice, even if you're past 10 hours of drawing practice or more, but to make your facial forms and forces less rigider, but all the most spontaneous, fluider, but more human yet.

For most info, look into the Andrew Loomis book on Drawing Faces and Hands, for more practice on drawing faces and more, so hope these have helped you out the most.

To Whom It May/Might Concern,

The problem is striking again! Every time I try to reload my webpage to upload my newer image in my newest 30 minute class mode, but the bar stops loading. Everybody knows knows it, but nobody has the guts to TAKE ACTION!! Please do something!

Here's the undeniable proof.

Here'e the link.

Take care, and have fun.

Polyvios Animations.

• Polyvios Animations edited this post on August 7, 2023 12:35pm. Reason: Take out the defect image

How about more gymnastics attitudes?

Well, Emi K P, the reason why you don't like doing the fast figure drawings is because arguably you need to give yourself some time to get used to the process of quantity over quality in the figures, even the animals, yet you don't know how to handle it appropriately yet, but I think you're doing fine, therefore, you're too roughest on yourself, no pun intended. Solution, please take a deepest breath yet loosen yourself up but go with the flow.

Yet, greatest job on your hooved animal sketches, but I think your progress and process are all totally on the excellent track, but I feel that these are, though anatomically articulate, but the motion of the animation lines all seem too rigidest but stilted. Why don't you please try out doing 6 minutes of 2 minute equine poses? (3 equine sketches)

As a result, your hooved animal drawings will become less stilted and the most loosest, fluidest, but flowing yet. For most info, look into the Force Animal Drawing book on Kindle by Mike Mattessi.

My hat's off to you, and good luck.

Good evening, Olivia Flapdoodle, and welcome to our site. How are you tonight?

Say, you're doing a mighty fine spot of progress on your first Imgur post link. I love how expressively you've drawn your fluid lines of action and rhythms, but I feel that your shapes of lights and tones are spot on, but I think that these all need some more loosening up, because they all seem all too timidest to me. Why don't you please do our interactive drawing tutorial right here?

The logical reason behind this criticism is because, deep down you are totally gonna refresh yourself in gesture drawing fundamentals on not just figures, but practically anything and everything online and/or offline for your learning curves. You can start off with the quickest lines of action warmups, but end there with the longest but carefullest construction studies.

Hope this has helped you out so much!

Greatest start, but I see that flow in every pose that you drew. I think that your fluidity of the poses are all spot on, but I feel that the fluidity is not too exaggerated enough yet. How would you love to go ahead with 5 minutes of 30 second figure warmups?

The thesis is because if you can do those warmups, then your fluid lines will become least stilted and most liveliest. For most details, look into the 2 PDFs of the Walt Stanchfield books here, and here.

Good luck from me and my hat's off from me.

To Whom It May/Might Concern

I have a problem with my latest image from my last 6 hour class. This image won't budge into my account. Please take action right away.

Polyvios Animations.

P.S.

Here's the link.

• Polyvios Animations edited this post on August 5, 2023 9:24pm.

Hey, Artisfun,

Why is their nothing on your reply? Please add you topic to your window!

Polyvios.

Hello again, Emi, but once again, greater job on your reptiles to birds. I think they you are all on the right track of all of those but the signature style needs more looser lines of action and rhythm. Would you like to go for 40 minutes of 60 second sketches of those creature sketches?

The reason why you could do this constructive critique is because you can make your signature drawing style of animal forms less stiffer, yet to make them more expressive, appealing, and more like they appear to move. Either way, your style is very unique thus far, but for more info, look into the Ken Hultgren Animal drawing book, link right heeere.

'Hope these have helped you out even more.

Good afternoon, Emi, but nicest job on your range of gestures, your forms, and your perspectives and proportions and angles of your human figures. I love them so much. I think you have boatloads of promise, but I feel that these poses need much more exaggeration and satirical expression. How would you love to go ahead with 7 minutes of 28 second poses, flipped horizontally, all just to completely warm yourself up? (350/28≈13 scribble warmups)

35-28=7 70/28=2 r 14 28 56 84

The reason why you could and would try out this constructive criticism is because you could and should be able to quickly draw your crosshatching less stiff but less stilted, but more dynamic, crazy and spontaneous. Not to mention to make your lines of action more crazy and intense in your storytelling pose drawings. For most info, look into Volume 1 of the Walt Stanchfield book PDF here!

My hat's off to you.

Hello, Toaster.

My invite looks invalid. Please give me a new invite link. Thank you.

Polyvios Animations.

P.S. I'm not sure if I was banned on your server or not, but kindly remove the ban right away. Thank you again.

• Polyvios Animations edited this post on August 2, 2023 3:54pm. Reason: Add a P.S.

Good noon, heliganreigns, and welcome to Line of Action. I'm Polyvios Animations, and how are you doing this noon?

Say, nicer job on your range of forces over forms because you have perfectly captured the range of organic drawing in your construction drawings with as fewest lines as possible. I think you have the strongest potential in drawing the figures, but the anatomy seems a bit too mushiest, but I feel that the forces all seem a bit farthest too stilted. Why don't you please loosen up your gesture life drawing basics with our interactive drawing tutorial?

The reason is because, you can and shall not only the forms, but the ideas and energies behind the poses, but also the silhouettes of the attitudes. For most info, look into the Walt Stanchfield PDF Volume 1 right there.

Please take this with the littlest grain of salt the size of a dust bunny.

Good evening, Emi K P,

Nice job on your range of your motion and action of your pose drawings all from memory. I think your gestures and anatomy are spot on, but I feel that these lines of action, rhythms and gestures still need more exaggeration of your bone and muscle anatomies. How would you care to go ahead with 6 minutes of 29 second drawings of poses, bones, and muscles?

The reason is because, by studying the human anatomy and poses, then your drawings will be sketched more believably, but less stilted and more dynamic, energetic, and fluider. For more info on studying the human anatomy, Kindly look into the Frank Netter anatomy book (which I haven't studied enough yet), the Joseph Sheppard Human Anatomy book, and Anatomy for the Artist by Sarah Simblet, for the latter features not just bones and muscles, but also the application in the most famous finest arts of the figure drawings and paintings.

My hat's off to you, but please take these with the small grain of salt the size of a bread crumb.

Good morning to you, Annelle, and welcome aboard, but I'm Polyvios, but how are you?

Say, nice work on your range of expressions, spaces of the face, and facial relationships (proportions and angle). I think your drawings are pretty slicker but rawest but I feel that these expressions still need to be pushed a little bit more, particularly your tilted face, and your shouting expression. How would you like to go ahead on pushing your action of your expressions with 5 minutes of 30 second face drawings, all drawn from your shoulder with a 8b pencil?

As a result, your sketches of expressions will be drawn less stiff, and more lighter, dynamic, and vital. For more info, please look into the Ben Caldwell book, Action! Cartooning in PDF form, here?

Good luck from me and all of us.